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Glossary
by Anastasia V. Pergakis in

Allegory: A symbolic narrative in which the surface details imply a secondary meaning. Allegory often takes the form of a story in which the characters represent moral qualities.

Alliteration: The repetition of consonant sounds, especially at the beginning of words.

Anapest : Two unaccented syllables followed by an accented one

Assonance: The repetition of similar vowel sounds in a sentence or a line of poetry or prose


Caesura: A strong pause within a line of verse.Often represented by a hyphen. (-) 

Closed form: A type of form or structure in poetry characterized by regularity and consistency in such elements as rhyme, line length, and metrical pattern.


Connotation: The associations called up by a word that goes beyond its dictionary meaning.

Couplet: A pair of rhymed lines that may or may not constitute a separate stanza in a poem.

Dactyl: A stressed syllable followed by two unstressed ones

Denotation: The dictionary meaning of a word. Writers typically play off a word's denotative meaning against its connotations, or suggested and implied associational implications.


Elision: The omission of an unstressed vowel or syllable to preserve the meter of a line of poetry.

End-Stopped Line: A line of poetry in which the grammatical and logical sense is completed within the line.

Enjambment: A run-on line of poetry in which logical and grammatical sense carries over from one line into the next.


Foot: A metrical unit composed of stressed and unstressed syllables.

Hyperbole: A figure of speech involving exaggeration.

Iamb: An unstressed syllable followed by a stressed one


Metaphor: A comparison between essentially unlike things without an explicitly comparative word such as like or as.

Meter: The measured pattern of rhythmic accents in poems.

Metonymy: A figure of speech in which a closely related term is substituted for an object or idea.


Octave: An eight-line unit, which may constitute a stanza; or a section of a poem, as in the octave of a sonnet.


Onomatopoeia: The use of words to imitate the sounds they describe.


Open form: A type of structure or form in poetry characterized by freedom from regularity and consistency in such elements as rhyme, line length, metrical pattern, and overall poetic structure.

Personification: The endowment of inanimate objects or abstract concepts with animate or living qualities.



Pyrrhic: A metrical foot with two unstressed syllables.

Quatrain: A four-line stanza in a poem


Rhyme: The matching of final vowel or consonant sounds in two or more words.

Rhythm: The recurrence of accent or stress in lines of verse.


Sestet: A six-line unit of verse constituting a stanza or section of a poem


Simile: A figure of speech involving a comparison between unlike things using like, as, or as though.

Spondee: A metrical foot represented by two stressed syllables

Stanza: A division or unit of a poem that is repeated in the same form--either with similar or identical patterns or rhyme and meter, or with variations from one stanza to another.


Symbol: An object or action in a literary work that means more than itself, that stands for something beyond itself.

Synecdoche: A figure of speech in which a part is substituted for the whole.

Syntax: The grammatical order of words in a sentence or line of verse or dialogue. The organization of words and phrases and clauses in sentences of prose, verse, and dialogue

Tercet: A three-line stanza.


Trochee: An accented syllable followed by an unaccented one

Understatement: A figure of speech in which a writer or speaker says less than what he or she means; the opposite of exaggeration.